As I read through English teacher threads on social media, one thing that strikes me is that a teacher who is genuinely passionate about what he or she is teaching will probably communicate that to the students. Ditto for a teacher who's teaching content under constraint. One teacher says her students love a given book which she loves teaching; another says of the same book that neither she nor her students could get into it.
That makes me a little nervous because while I am passionate about poems that I love, I don't actually love that many poems. (Shhh...I know...You may have never heard an English teacher admit that before.) But really: I've been on a poem-a-day email list for years, and I'll only love a couple out of each year. (I copy them out in a notebook I keep.) I had my favorites that I taught to high school for years, and now I have to find new poems for middle school. Ones that I love.
So I’ve spent some of my spring break hunting for poetic inspiration on a 6th and 7th grade level. Spring break here in Japan is three weeks—which seems like a long time, until you realize that’s all the time one has to gear up for a new academic year. And for a combination 6th and 7th grade class, that means all new content, since the rising 7th graders have already had the class once! That means is getting a new line-up for the poetry unit that starts the year. So I’ve been spending some time this spring break browsing the CommonLit.org poems for 4th through 7th grades.
You know what I found? Some poems I love. And I fell in love with the power of language condensed into poetry all over again. Here’s an example.Besides being beautiful, this is a “Golden Shovel” poem. If you’ve never heard of it, that’s because it was just invented in 2010. You take an inspiring line from a poem and turn it into the last word of each line of a new poem. The inspiration for “Truth” is the first line of “Storm Ending” by Harlem Renaissance poet Jean Toomer: “Thunder blossoms gorgeously above our heads.” That line itself grabs me in so many ways: I’d never thought of thunder blossoming. One, because it’s a sound, not a sight. And two, because it’s big and scary—not small and fragile. On the other hand, both thunder and blossoms start small, swell, burst, and fade in a short time.
“Truth” is about similar surprises, from the way the new day’s unknown events are described as “memories-to-be” to the internal rhymes tucked away inside the lines (rise…surprise…disguised). It’s decorated with alliteration: blossoms of blessing, garish or gorgeously, claim that cloud. As surprising and beautiful as a cloud’s silver lining—a dead metaphor startlingly resurrected.
Now I have so much inspiration, I’ll have to prune. That’s okay—I’ve got a week, and I’ve got my poetry passion back.
How do you revive flagging inspiration? What poems do you love?
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